Date/Time:
Date(s) - 03/14/2014 - 03/15/2014
All Day
Location:
DSC Lounge (Rooms 5414 & 5409)
Conference Schedule
GSIM 2014 Schedule
Conference Program
GSIM 2014 Conference Program
Presenter Bios
GSIM Presenter Bios
Schedule: Friday, March 14
* Note: All events take place in Room 5409 unless stated otherwise
1:30–2:00pm Welcome and Registration
2:00–3:00pm Panel 1 – Disability Studies – Chair: Joseph Straus
- Michael Weinstein-Reiman (University of Oregon): “The Mind Leading the Blind: Blindness and the Alterity of Musical Improvisation in the Late Middle Ages”
- He Xian (The Chinese University of Hong Kong): “Another Version of Madwoman—Chian Ch’ing in John Adams’s Nixon in China”
3:00–3:30pm Coffee Break
3:30–5:30pm Panel 2 – “Compositional Identity” – Session Chair: Norman Carey
- Rosa Abrahams (Northwestern University): “Mahler’s Veil: Todtenmarsch, Topoi, and the Jewish Question”
- Trevor Nelson (Michigan State University): “Feminism as Nationalism? A Critical Perspective on Dame Ethel Smyth”
- Imani Mosley (Duke University): “‘I shall mutilate and silence the body where you dwell…’ Voice, Gender and Sexuality in Billy Budd”
- Garrett Schumann (University of Michigan): Gender, Privilege, Aesthetics, and Social Order in the Art World of Living American Composers”
5:30–6:30pm Meet and Greet (Music Lounge–Room 3102)
Schedule: Saturday, March 15
* Note: All events take place in Room 5409 unless stated otherwise
10:00–10:30am Breakfast for Workshop Participants
10:30am–1:00pm Workshop: “Scoring Disability Narratives” with Kendra Preston Leonard
1:00–2:00pm Lunch
2:00–3:30pm Panel 3 – Theory and Analysis – Session Chair: L. Poundie Burstein
- Andrew Wilson (The Graduate Center, CUNY): “Metrical Normativity and the Sarabande: A Call for Contextual Analysis”
- Alexander Martin (The Graduate Center, CUNY): “The Rising Fog: Zemlinsky’s ‘Stimme des Abends’ Fantasy Op. 9, No. 1”
- Andrew Chung (Yale University): “Comrade Roslavets and his Third Piano Trio: Form, Norms, and Disabling Music Analysis”
3:30–4:00pm Coffee Break
4:00–5:30pm Panel 4 – Contemporary Music(s) – Session Chair: Kendra Preston Leonard
- Tobin Chodos (University of California, San Diego): “Talking in Tongues”
- Ryan Mack (Carleton University, Ottawa): “From Falsetto to Scream: Synergistic Masculinity and Vocality in Emo Music”
- Scott Interrante (Hunter College, CUNY): “Midnight Memories/Musical Masculinities: Reading Genre and Gender in the Music of One Direction”
5:30–6:00pm Farewells
Category(ies)
