Come one, come all to the 26th Annual Graduate Students in Music Conference (GSIM) held virtually March 24-25, 2023. Conference information, including the program and registration information, can be found on the GSIM website at https://gsim.commons.gc.cuny.edu.
Congratulations to Ph.D. Composition candidate, Bahar Royaee, who has been commissioned by the Fromm Music Foundation at Harvard for a new composition. Read more about Bahar’s achievement at the link below! https://frommfoundation.fas.harvard.edu/people/bahar-royaee
The students of the Department of Music at The Graduate Center, CUNY, are pleased to announce the 26th Annual GSIM Conference, to be held virtually on March 24-25, 2023. We invite graduate students in all disciplines who work on music to submit proposals for presentations on any topic. We are accepting proposals for academic papers and […]
Prof. Joseph Straus’s produced a series of 18 analytical videos about the Rite of Spring (roughly twelve hours of video), which are now available through the website http://riteofspringproject.org . The analyses are presented in a way that might be of interest to people who are not professionals, as well as by music professionals. Prof. Straus […]
Prof. William Rothstein’s long-awaited book, The Musical Language of Italian Opera, 1813–1859, has been published by Oxford University Press. Taking an eclectic analytical approach in examining works by Rossini, Bellini, Mercadante, Donizetti, and Verdi and, Meyerbeer, Rothstein uses ideas originating in several centuries, from the sixteenth to the twenty-first, to argue that operatic music can […]
Philip Stoecker (CUNY 2003) received the Outstanding Multi-Author Collection Award for co-editing (with Edward Venn) the book Adès Studies (Cambridge: CUP, 2021). Among other essays, this book features the article “Sonic Allegory in Adès’s The Exterminating Angel” by CUNY professor Yayoi Uno Everett.
Noriko Manabe (CUNY 2009) received the SMT 2022 Outstanding Publication Award for her article “We gon’ be alright? The ambiguities of Kendrick Lamar’s protest anthem,” Music Theory Online, 25(1).
DMA Performance (’17) alum Chelsea Lane will release her debut album Suspensions on the Better Company Records label on December 2nd across all streaming platforms. The album draws on contemporary, minimalist-inspired works to explore the theme of “suspensions,” both literal and figurative. Pairing newly commissioned works (by Ellis Ludwig-Leone and Molly Joyce) with Lane’s new […]
Itzá García will give a presentation entitled: “Tempo FM: Electronic processing beyond sound” at the Society of Music Theory (SMT) 2022 Annual Meeting. She will discuss her development of the concept Tempo FM in relation to her piece Secondly… for string quartet written in 2022. The talk will cover the relationship between frequency and tempo in […]
I am honoured to have been recently appointed as a principal member of Australia’s Omega Ensemble, one of the finest groups of its type in the nation. Of particular interest to me is the ensemble’s special and ongoing connection to the US, with many new works each year written by American composers. Later this month, […]
Graduate Center doctoral student Joseph Vaz will be featured in Harmonia Seattle’s chamber music series on March 31, 2023. This concert will feature a piano sonata written in 2020 for Joseph by Harmonia director William C. White, followed by chamber music with members of the Harmonia orchestra. The program will include the Schumann Piano Quintet […]
Kris Königin (they/he), a trans musicologist and vocal instructor, will present his work “Archiving Trans, Trans in the Archive: A Methodological Framework for Studying and Locating Our Musical ‘Trancestors’” at both the American Studies Association (5 Nov) and American Musicological Society (10 Nov) national conferences in New Orleans. Using primary sources from the 1860s through […]
