On Monday, March 22nd, Music from Copland House time-travels across the centuries when it features Pulitzer prize-winning composer John Harbison’s provocative quartet for piano and strings entitled November 19, 1828, the day the beloved 19th-century master Franz Schubert passed away. This eerie, ethereal “musical hallucination” invokes moments in the Viennese composer’s life, his passage into […]
Monday, February 22, 2021 at 1:00 PM – Musto Cello & Piano Sonata In his scintillating new Sonata for Cello and Piano, Graduate Center professor and Emmy Award-winning composer John Musto seamlessly brings together the erudition of a contrapuntal musical master, the brilliance and “groove” of a jazz instrumentalist, and the rhythmic ebullience of a Brazilian dancer. This […]
Presented in partnership with the Center for Humanities at the Graduate Center, the second annual Ukrainian Contemporary Music Festival will be taking place online from Friday, March 5 – Sunday, March 7, 2021, and will explore the role of music in contemporary Ukrainian culture and politics through lively presentations and performances under the theme “Voices Across […]
Check out this story about GC Professor Poundie Burstein’s new book, Journeys Through Galant Expositions: https://sum.cuny.edu/how-to-analyze-18th-century-galant-music/
Congratulations to GC Music Theory student, Michèle Duguay, who has been awarded an SMT-40 Dissertation Fellowship for work on her dissertation, “Gendering the Virtual Space: Sonic Femininities and Masculinities in Contemporary Top 40 Music.” BIO Michèle Duguay (she/her) is a Ph.D. candidate in music theory at the CUNY Graduate Center, where she also completed a […]
Congratulations to GC DMA student Han Chen, who has launched a program entitled “Migration Music”: “Migration Music is a series of interviews and performances featuring immigrant composers. As an immigrant myself, I always wonder what it means to other immigrants to have left their countries and moved to a new world. If a composer, I […]
A GC alum, composer Harry Stafylakis is in his 5th season as Composer-in-Residence of the Winnipeg Symphony Orchestra and Co-Curator of its annual Winnipeg New Music Festival. One of Winnipeg’s most celebrated musical events, the 30th Winnipeg New Music Festival is back January 23, 26 & 29, 2021. This year the festival moves online to […]
The Graduate Center presents Music from Copland House, UNDERSCORED: Jalbert Crossings. Join us for the virtual event on Monday, January 25, 2021 1:00 PM – 2:00 PM EST. Free; RSVP required. Please register here to receive Zoom invitation details and reminders via email. About this Event “Wonderful music, warm performances, full of humanity and empathy, confident and transparent.” – New […]
Lina Sofia Tabak is the recipient of the 2020 SMT Student Presentation Award for her paper “Pulse Dissonance in Colombian Currulao,” which is a result of her undergraduate thesis titled, “Rhythmic and Metrical Practices in Two Colombian Dance Genres.” Lina is currently a second-year PhD student in music theory at the CUNY Graduate Center. She […]
Congratulations to music alumnus David Pearson (musicology, 2017) on the publication of his book Rebel Music in the Triumphant Empire: Punk Rock in the 1990s United States, by Oxford University Press. The book situates 1990s punk in the politics of the era, drawing together information from numerous zines, interviews with key participants in the scene, […]
Congratulations to GC Professor Benjamin Lapidus, whose book New York and the International Sound of Latin Music, 1940–1990 is available now! New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean […]
Congratulations to Evan Rapport (PhD Ethnomusicology), whose book Damaged: Musicality and Race in Early American Punk has recently been published! Damaged is the first book-length portrait of punk as a musical style. In Damaged, Rapport explores how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical […]
