“Winnie” the Majestic review by Benoît Fauchet, Diapason, November 2018 translated by Sylvia Kahan What do Fauré’s theater music for Pelléas et Mélisande (1898), Stravinsky’s Renard (1916), Satie’s symphonic drama Socrate (1918), Falla’s El Retablo de Maese Pedro (1923) and Poulenc’s Organ Concerto (1938) have in common? All of these remarkable works, and many others, […]
The CUNY Graduate Center Music Program is pleased to announce that John Musto, pianist, composer, and coordinator of the D.M.A. Program in Music Performance, has been awarded a 2019 Arts and Letters Award in Music from the American Academy of Arts and Letters. This award “honor[s] outstanding artistic achievement and acknowledge[s] composers who have arrived […]
The new season announcement for the New York Philharmonic revealed that GC Distinguished Professor Tania Léon’s commissioned work will be performed at David Geffen Hall in February 2020 as part of the orchestra’s “Project 19” initiative. “To mark the centennial of the 19th Amendment, which barred states from denying voting rights based on gender, the […]
GC alumna Ji Yeon Lee’s dissertation “Climax Structures in Late Romantic Opera” was selected as the winner of this year’s National Opera Association dissertation competition. The award is given a doctoral candidate whose degree was conferred between September 1, 2016 and August 31, 2018. She was recognized at NOA’s annual meeting in Utah this past […]
Ethnomusicology student Lynne Stillings has been awarded a Fulbright-Hays Doctoral Dissertation Fellowship for 2019-2020. Her project, “Performing Empowerment: Children’s Rights and Musical Participation in Senegal,” will provide a critical examination of the ways that musical performance is being used to introduce concepts of children’s rights to children and youth in Dakar, Senegal. Lynne previously received […]
The Graduate Center—CUNY is pleased to announce the appointment of Kofi Agawu to the faculty of the music department. Prof. Agawu is a scholar of enormous range who has had a lasting impact on three distinct fields of music studies: music theory, musicology, and ethnomusicology. Kofi Agawu is the recipient of numerous awards and honors, […]
Ethnomusicology graduate student Chris McGuinness was awarded a fellowship from the American Institute of Indian Studies (AIIS) to conduct field work for his dissertation on electronic dance music (EDM) in India. Chris brings to his work his own experience as a Bollywood composer-producer, and as an EDM artist who has performed extensively in India. Chris […]
Janice Mahinka, after completing her dissertation, “The Musicality of Salsa Dancers: An Ethnographic Study,” has commenced her tenure-track professorial position at Harford College in Maryland. […]
The Graduate Center Music Program is pleased to share that our students and faculty will be strongly represented at the 2018 AMS/SMT Conference in San Antonio, TX from November 1-4. Eight students and three faculty members are presenting papers, one student is participating in a panel discussion, and three GC faculty are chairing different panels. A complete […]
The Graduate Center Music Program is pleased to share that DMA pianists Nicolas Namoradze won first place and Han Chen won the Raeburn Prize at the 2018 Honens International Piano Competition. These accomplished DMA pianists represent what the Honens Competition deems “complete artists”: The Complete Artist is a thoughtful interpreter, a consummate collaborator, an awe-inspiring […]
The Graduate Center music program is pleased to share that two of our music Ph.D. students have won prestigious external writing fellowships to complete their dissertations. Ethnomusicology student Brian Bond has been awarded a Charlotte W. Newcombe Doctoral Dissertation Fellowship from the Woodrow Wilson Foundation to complete his dissertation, “A Heavy Rain Has Fallen Upon […]
The British Forum for Ethnomusicology, the national society for Great Britain, has awarded the BFE Book Prize for 2018 to alumna Noriko Manabe for her book, The Revolution Will Not Be Televised: Protest Music after Fukushima (Oxford Univ. Press, 2015). The prestigious prize, which is awarded biennially, recognizes “outstanding scholarship in ethnomusicology written in English.” […]
