The 16th ICTM Study Group on Iconography of the Performing Arts’s conference, chaired by Dr. Zdravko Blažeković, on “Music in Popular Theater and Ritual” is taking place in Montevideo & Salto, in Uruguay, 23-26 October 2019. The conference is locally organized by the Centro de Investigación en artes y escénicas del litoral noroeste of the Universidad […]
Anthony McCall and David Grubbs, Simultaneous Soloists (Pioneer Works Press) Simultaneous Soloists is an artist’s book emerging from Anthony McCall’s exhibition Solid Light Works and the accompanying performance series Four Simultaneous Soloists, organized by David Grubbs. It documents these ephemeral events through multiple means: an extensive conversation between McCall and Grubbs detailing a decade of […]
Prof. Mark Spicer and Prof. Mark Anson-Cartwright gave talks, the former as a keynote speaker, at the symposium Come Together: Fifty Years of Abbey Road, held at the Eastman School of Music the weekend of September 27–29, 2019 to commemorate the fiftieth anniversary of the release of the Beatles’ landmark album. The title of Prof. […]
Created in 2009, The Bowers-Fader Voice and Guitar Duo is Jessica Bowers, mezzo-soprano, and Oren Fader, guitar faculty at The Graduate Center, CUNY, whose mission is to promote New American Art Songs for mezzo and guitar, through commissions, performances, and recordings. Their debut CD, “Between Us All”, was recently reviewed by the American Record Guide: […]
Tina Frühauf received a DAAD Visiting Professorship to teach at the Hochschule für Musik und Theater in Munich in the summer semester of 2019. Together with local faculty, she organized the symposium “Jewish Music in Southern Germany—History, Exile, Continuance,” held on 12-13 July 2019 at the Musikwissenschaftliches Institut.
Congratulations to Michèle Duguay, PhD candidate in Music Theory, on receiving the Patricia Carpenter Emerging Scholar Award for her conference paper “A Model for Measuring Physical Balance in Contemporary Piano Works,” delivered at the 2019 Annual Meeting of the Music Theory Society of New York State! The award comes with the guarantee of publication in […]
Suzanne Farrin, composition faculty at Hunter College and The CUNY Graduate Center, was awarded a 2019 Guggenheim Fellowship in recognition of her exceptional creativity in the arts. Farrin’s music has been performed by some of the world’s great musicians and her Guggenheim citation highlighted her inventive explorations of instrumental and vocal sound. Farrin’s opera, “Dolce La Morte,” […]
Congratulations to Daniel Fox and Elaine Sandoval for being awarded prestigious Dissertation Year Fellowships from the Graduate Center! Daniel Fox, PhD candidate in composition, received a Dissertation Year Fellowship ($25,000) for “Music, The Aftersound: Acoustic Resonance and Modes of Intervention in the Music of Alvin Lucier and Morton Feldman”; and Elaine Sandoval, PhD candidate in […]
“Winnie” the Majestic review by Benoît Fauchet, Diapason, November 2018 translated by Sylvia Kahan What do Fauré’s theater music for Pelléas et Mélisande (1898), Stravinsky’s Renard (1916), Satie’s symphonic drama Socrate (1918), Falla’s El Retablo de Maese Pedro (1923) and Poulenc’s Organ Concerto (1938) have in common? All of these remarkable works, and many others, […]
The CUNY Graduate Center Music Program is pleased to announce that John Musto, pianist, composer, and coordinator of the D.M.A. Program in Music Performance, has been awarded a 2019 Arts and Letters Award in Music from the American Academy of Arts and Letters. This award “honor[s] outstanding artistic achievement and acknowledge[s] composers who have arrived […]
The new season announcement for the New York Philharmonic revealed that GC Distinguished Professor Tania Léon’s commissioned work will be performed at David Geffen Hall in February 2020 as part of the orchestra’s “Project 19” initiative. “To mark the centennial of the 19th Amendment, which barred states from denying voting rights based on gender, the […]
GC alumna Ji Yeon Lee’s dissertation “Climax Structures in Late Romantic Opera” was selected as the winner of this year’s National Opera Association dissertation competition. The award is given a doctoral candidate whose degree was conferred between September 1, 2016 and August 31, 2018. She was recognized at NOA’s annual meeting in Utah this past […]
